David Brandom All-Star Quintet at La Zingara – Bethel, CT

Seating Chart

Doors open at 6:00pm. Try to be seated by 6:30pm to have your dinner order taken. Showtime begins at 7:00pm when we transform the space into a theater.

Out of respect for the performers and other patrons, please keep talking to a whisper during the performance.

Very Limited Occupancy. Tables seating 2, 4, 5 guests, with tables for 6, 8, 12 available upon request. Single, general admission tickets are also available. See The Attached Seating Chart. Admission Is $15.00 – $25.00 Per Person, Ticket prices may be higher for special performances. Having problems with the ticketing system? Call 203-247-4273

Parking: Please park in LaZingara’s lot or on Greenwood Ave. or School Street. Please avoid parking in P.T. Barnum Square.

Check out the band:

David Brandom – Saxophone

Saxophonist David Brandom has made an impressive career in music. Besides touring with Frank Sinatra for many years, David has worked with many great jazz artists including: Tony Bennett, Randy Brecker, Bobby Caldwell, Bill Charlap, Natalie Cole, Sammy Davis Jr., Joe Lovano, David Matthew’s Super Latin Jazz Orchestra, Houston Person, and Maria Schneider’s Big Band and most recently, composer Mike Abene’s Jazz Orchestra. David is a founding member of the Westchester Jazz Orchestra which released 2 CD, “All In” in 2007 and “Maiden Voyage Suite” in August, 2011. David has also played with many pop artists including: Billy Joel, Elton John, Melissa Manchester, Johnny Mathis, Sting, James Taylor, The Spinners, The Temptations, and The Four Tops. David’s versatility as a woodwind specialist has allowed him to work on many Broadway shows including: “Ain’t Misbehavin,” “Annie,” “Annie Get Your Gun,” “Billy Elliott”, “Chicago,”“Fosse,” “Grease,” “Hairspray,”“In the Heights,” “Jersey Boys,” “Nine to Five”,“Priscilla, Queen of the Desert”, “A Bronx Tale” and“Beautiful.”

A native of Kansas City, Mo. David and his wife Stacy moved to New York in 1984 and raised 3 sons in Larchmont NY. He earned his Bachelor’s Degree in Music Education at The University of North Texas and a Master’s Degree in Studio Composition from Purchase College. David taught Instrumental Music in the Edgemont School District in Scarsdale, NY from 2008 until 2019.

A prolific composer and arranger, David released his critically acclaimed CDs, “Home” in 2002 , and “No Way Out” in 2007. A 2021 release, “What’s Going On” features David’s sax and woodwind work and his arrangements of pop classics for jazz quartet. All 3 albums can be found on Spotify, AppleMusic, Pandora etc. David is currently enjoying living in Redding, teaching privately, and working on music for a couple of new albums.

Tim Regusis – Piano

Tim Regusis is a pianist and keyboardist who has been active in the jazz scene of the New York City region as well as in the fields of R&B, Latin and various world musics for many years. He has played and/or recorded with Patti Austin, David Byrne, Jonathan Butler, Ruben Blades, Chuck Mangione, Chaka Khan, Donna Summer, Ofra Haza, Najee, Daniel Ponce Rick Margitza, Cindy Blackman, Jeff Williams, Akira Ohmori, and many others. He has toured the U.S., Europe, Japan, Australia, South Africa, Indonesia and Russia.

Jeff Fuller – Bass Jeff is an integral part of the Connecticut, New York and international jazz scenes, Fuller has toured worldwide and recorded with saxophonists Lou Donaldson and Paquito D’Rivera. He has played with jazz masters from all styles and eras including such diverse artists as Dizzy Gillespie, Mose Allison, “Papa” Jo Jones, Gerry Mulligan, and Clark Terry. Fuller is one of the most sought after jazz bassists in Connecticut, and currently leads his own ensembles in many venues. In 2014, he was presented with the annual Jazz Haven Award, “For all you have done in presenting and preserving the culture and music of jazz.” Fuller plays a custom-made Upton Concord double bass, and a Ken Smith 6-string bass guitar.

Fuller’s trio, featuring Darren Litzie on piano and Ben Bilello on drums, has released five CDs featuring their original music: The Call From Within (2014), Shoreline Blues (2016), Happenstance (2018), Round & Round (2020) and Keep Hope Alive (2022).

Ron Vincent – Drums Ron is a native of Warwick, Rhode Island, Ron attended Berklee College of Music from 1969 to 1973. After touring the U.S. with a variety of jazz groups, and three years in Kansas City (79-82), Ron settled in New York City in 1982. Since then, Ron has become a veteran of the New York City jazz scene. Working often as a sideman he has been recorded on over 85 CDs. Ron was a member of the Gerry Mulligan Quartet and the Re-Birth of the Cool Tentet from 1989 until Mr. Mulligan’s passing in 1996. He recorded four CDs with Mr. Mulligan and has also recorded with Phil Woods, Lee Konitz, Randy Brecker, Bob Brookmeyer, Bill Charlap, John Lewis, Slide Hampton, Sandy Stewart and Bill Mays to name a few. As a leader, his own trio and quartet are active in the New York City area and his quartet has toured the U.S. and Europe. As a jazz artist/educator for Sabian Cymbals from 1986-2006 Ron presented workshops at over 100 Colleges and Universities and has been on the faculty of the Jamie Aebersold Jazz Camps and the Stanford Jazz Camp (CA). In 1996 Ron received a National Endowment for the Arts grant for jazz performance.

Ron Horton – Trumpet Since 1982, trumpeter Ron Horton has been an integral part of New York’s flourishing jazz scene and he stands out both as an exemplary instrumentalist and as a highly progressive composer and arranger. Whether called upon as a sideman or as a leader of one of his own ensembles, he shows that he is committed to further expanding the existing perimeters of jazz. Photo: Ben Allison

Horton has had many long musical associations with leaders such as saxophonist Jane Ira Bloom (1983-2000) and pianist Andrew Hill. He was a member of Hill’s sextet from 1998 until 2003, and appears on the group’s critically acclaimed cd, Dusk (Palmetto 2000). He was also musical director and co-arranger for Hill’s big band, and is featured on the cd, A Beautiful Day (Palmetto 2002).

Horton has also had an integral collaboration with New York’s Jazz Composers Collective, going back to its inception in 1992, and appears on several cds by the other members of the group, such as Ben Allison and Michael Blake, as well as the collective’s Herbie Nichols Project. In 1995, Horton went to the Library of Congress and uncovered over three dozen of Nichols’ songs that had never been recorded. Several of these works appear on the three cds released by the HNP on Soul Note and Palmetto.

Through his work with the JCC, Horton has received composing grants from the Mary Flagler Cary Charitable Trust and Meet the Composer.

Ron Horton was born in 1960 in Bethesda, Maryland, and has been frequently called on as a sideman to perform and/or record with such artists as Lee Konitz, Will Holshouser, Rez Abbasi, Phillip Johnston, Andy Laster, Mick Rossi, Matt Wilson, Bill Gerhardt, Bill Mays, Peggy Stern, Allan Chase, Andy Biskin, Ted Nash, Jon Gordon, John McKenna, Walter Thompson, Diana Perez, Billy Newman, Mario Pavone, Tina Marsh, Maryanne DeProphetis, Landon Knoblock, Sam Bardfeld, Maria Guida, Abigail Riccards, Angie Sanchez, Kris Davis, Darcy James Argue and many others.

In 1999, Horton released his debut cd, Genius Envy (OmniTone), featuring Jane Ira Bloom. All About Jazz said of the cd, “(Horton) shines as a formidable composer, arranger and leader. (It’s) not difficult to discern why Horton is highly respected within jazz circles”.

Subtextures, Horton’s first release on Fresh Sounds New Talent (FSNT-175) features pianist Kimbrough, bassist Allison and drummer Matt Wilson. It includes four new original compositions, as well as those by Kimbrough, Hill, Olivier Messiaen, and Frederic Chopin. The cd was selected by Jazzman magazine (France) for its CHOC award as one of the top cds of 2004. Jazzwise (UK) also chose it as one of the top cds of 2004.

We’re sorry, there are no refunds after tickets have been purchased. In the event of a pandemic, rain, snow, or other forms of weather which prohibit a performance, the performance date will be postponed and rescheduled for another date within a reasonable amount of time. If the new date is postponed, a future alternate date will be picked at the discretion of Bethel Jazz and the musical artist. The ticket holder will be notified of postponements, cancelations, and rescheduled dates via email. Tickets are non-refundable and may be transferred to another person in the event a purchaser can not make the rescheduled date. In the event, an artist cancels a date, and Bethel Jazz is unable to reschedule the artist, Bethel Jazz reserves the right to provide a substitute performer of equal quality without notice to the ticket purchaser. If a date is canceled and not rescheduled, Bethel Jazz will provide a refund (in some cases minus the Eventbrite fee) or credit for another performance at the choice of the ticket holder. Bethel Jazz will always do its best to accommodate for changes in seating, table sizes, or changes to tickets.