Ray Bonneville w/ Stephen Clair at Colony – Woodstock, NY
Ray Bonneville w/ Stephen Clair at Colony – Woodstock, NY
Don’t miss this upcoming event in Woodstock, NY. Happening on Thursday, January 15, 2026 at Colony. Doors open at 7:00 PM.
Ray Bonneville w/ Stephen Clair
THU Jan 15th, 2026
Doors 6pm | Show 7pm
Ray Bonneville
Juno Award winning roots and blues artist Ray Bonneville has created and mastered a fusion of traditional American Roots and Blues music all his own, and deeply influenced by his upbringing in French Canada and the years he spent writing and playing music in New Orleans. He is known as the master of the slow burn, the groove and acclaimed for his harmonica tone. With a greasy guitar style, horn-like harmonica, smoky vocals and pulsing foot percussion he captivates audiences by being his own backing band. Known for his sparse evocative storytelling, Ray’s songs often feature characters living on the fringe of society, set down lonely roads, on long stretches of highway or in the belly of teeming cities. In 1999 Bonneville won the Juno award (Canada’s Grammy) for his Album “Gust of Wind” and was nominated twice more. Ray’s song “I am the Big Easy” was the most played song by American folk DJs and won “Song of the Year” in 2009 and was recorded by Jennifer Warnes in 2018. Ray won the International Blues Challenge solo category in 2012 in Memphis. Ray Bonneville began writing songs when he was forty years old and has released ten albums in thirty-five years since then. He will release his eleventh album in 2026. He tours relentlessly across the U.S., Canada, Europe and Australia.
STEPHEN CLAIR
Stephen Clair’s grandfather was always singing from behind the wheel while occasionally opening the car door to spit. It was Grandpap who played young Stephen a Johnny Cash record when he was five years old, and that’s everything Stephen remembers from his youth. Best known for his wry humor and guitar stylings, the Beacon, NY musician has been a fixture on the Americana, alt-country, and dorky independent rock scene since his 1997 debut, Altoona Hotel, named for the town his grandfather called home.
He’s released many more albums over the years and toured and done all the things, experiencing all the near misses of life in the biz. Critics and his family love him first. Everyone else has come around in their own sweet time.
Rawboned, his latest effort, The Presentation of Self in Everyday Life, features only Clair and a guitar, except when it’s Clair and a rickety piano. The songs are miniature stories, the essence of emotion, and the arrangements and performances fit accordingly. “Every note, every part — including the air around it — is intentional,” says Clair. “I recorded it alone, in a room, over months, guitar in my lap, mousing with one hand, groping through the microphones surrounding me. I recorded take after take of each song. What you hear are complete, intact performances of each song. No punching in, no edits, no cutting and pasting. Each track on the record is a complete performance.”
There’s air in these songs, for sure. Every melody counts, as does each breath, word, and the space in between. Repetition is another device Clair takes full advantage of. Repeating words or lines can show longing, anticipation, and even obsession. The singer in “Watering the Flowers” and “Pizza and Fairy Tales” uses this to full effect. The sanguine narrator provides the play-by-play as they incessantly water the flowers, waiting, wondering, attempting to keep their shit together.
Clair first came to prominence when the late Rita Houston pronounced her love for “Jen in Her Underwear,” adding it to regular rotation on WFUV, thereby putting Clair on the map and the road. His next effort was Under the Bed, followed by What Luck (2007.) In 2019, Clair teamed up with celebrated producer Malcolm Burn (U2 and Emmylou Harris), the result, an epic garage album, Strange Perfume. Paste Magazine declared “Clair’s lyrics are everyman poetry with a dash of self-deprecation and gallows humor to go with his otherwise uncluttered views of the world around and within him.”
With an album so bare is this new one, it’s as if we are in the room with Stephen Clair, knee to knee. Just listen.
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